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<channel>
	<title>Volume Poetry</title>
	<link>https://volumepoetry.com</link>
	<description>Volume Poetry</description>
	<pubDate>Sat, 08 Nov 2025 20:47:36 +0000</pubDate>
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	<item>
		<title>VOL 5 ISSUE 2</title>
				
		<link>https://volumepoetry.com/VOL-5-ISSUE-2-1</link>

		<pubDate>Sat, 08 Nov 2025 20:47:36 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

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		<description>VOL 5&#38;nbsp; ISSUE 2




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/0de962bcbe9d85701d3bf34c96e8bf7b3aab5a10e9cdd404b15ddea33d4e01a5/Circle-1.png" data-mid="240402962" border="0"  src="https://freight.cargo.site/w/400/i/0de962bcbe9d85701d3bf34c96e8bf7b3aab5a10e9cdd404b15ddea33d4e01a5/Circle-1.png" /&#62;
	Arable
Katharine Towers




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	Do Sharks Dream?Xitlalitl Rodríguez Mendoza transl. Dora Prieto and Daniela Rodríguez





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	Look at UsAnnette Frost




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/a1233087af9b4f5517343722baa0cf4c53abee233b65b03e2cd11083aa4976d3/Circle-6.png" data-mid="240415002" border="0"  src="https://freight.cargo.site/w/400/i/a1233087af9b4f5517343722baa0cf4c53abee233b65b03e2cd11083aa4976d3/Circle-6.png" /&#62;
		Paper CityEleanor Colligan




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	Selected Works
Anya Kashina




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		Living HistoryDavid Ehmcke





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	End of a Line
Annalise Hagen




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Best of Luck
Natalie Homer





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		Never Came BackPhillip Pratt





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	PrayerFlannery McAleer




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	Curriculum VitaeXitlalitl Rodríguez Mendoza transl. Dora Prieto and Daniela Rodríguez




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	SutraLang Kanai





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	Double TakeAnya Kashina




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/321058918bf9ea6cbcbdaae064f95c78fc0a5d7dfb437dbfee9f558cc8044af7/Circle-15.png" data-mid="240402985" border="0"  src="https://freight.cargo.site/w/400/i/321058918bf9ea6cbcbdaae064f95c78fc0a5d7dfb437dbfee9f558cc8044af7/Circle-15.png" /&#62;&#60;img width="400" height="400" width_o="400" height_o="400" data-src="//freight.cargo.site/t/original/i/baa3e66226a953b618acb2bf4886b5bf78a7f22853e29dbf91ab540efae58ba8/golden-circle.png" data-mid="65721008" border="0" style="width: 400px; height: 400px; display: none;"&#62;
	
	Get LostDavid Ehmcke




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	Danny Tells Me My Favorite WordsAnnalise Hagen





	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/c4d57509fdd3389992b048f37b9667787c0c1e7c84d497424e704216f3f92841/Circle-17.png" data-mid="240403039" border="0"  src="https://freight.cargo.site/w/400/i/c4d57509fdd3389992b048f37b9667787c0c1e7c84d497424e704216f3f92841/Circle-17.png" /&#62;
		A Strange Work PartyNellie Bridge





	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/7f2aa2f2564cdeef423ec4bb27dfe4fcd69a3a7ca48b04095132b9aca9dc04e3/Circle-18.png" data-mid="240403067" border="0"  src="https://freight.cargo.site/w/400/i/7f2aa2f2564cdeef423ec4bb27dfe4fcd69a3a7ca48b04095132b9aca9dc04e3/Circle-18.png" /&#62;
	English to Spanish to English Version of an Interview with Ai HasegawaXitlalitl Rodríguez Mendoza transl. Dora Prieto and Daniela Rodríguez



	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/be10634de33569fdc3d7a07aee70ba56f4972f6143ce2084b8960fd2b4e6a26a/Circle-20.png" data-mid="240478990" border="0"  src="https://freight.cargo.site/w/400/i/be10634de33569fdc3d7a07aee70ba56f4972f6143ce2084b8960fd2b4e6a26a/Circle-20.png" /&#62;
	Possibility
Lang Kanai



	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/34d19a4067d7cb92319f8ccca592c7ef2cfc5858d156ba1540a7fcbe4145c4d7/Circle-14.png" data-mid="240514626" border="0"  src="https://freight.cargo.site/w/400/i/34d19a4067d7cb92319f8ccca592c7ef2cfc5858d156ba1540a7fcbe4145c4d7/Circle-14.png" /&#62;
	snowfall
Juliet Ramsden



	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/3864976989b798263a2cff1fe33eb495a79aff81d6a66da22cd7ed5faa5aad2b/Circle-5.png" data-mid="240403070" border="0"  src="https://freight.cargo.site/w/400/i/3864976989b798263a2cff1fe33eb495a79aff81d6a66da22cd7ed5faa5aad2b/Circle-5.png" /&#62;
		CassiopeiaAlexandra Kamerling




	Interview
	Dora Prieto and Daniela Rodríguez Illustrations byAnya Kashina
	
	</description>
		
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	<item>
		<title>VOL 5 ISSUE 1</title>
				
		<link>https://volumepoetry.com/VOL-5-ISSUE-1</link>

		<pubDate>Mon, 28 Apr 2025 17:39:33 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/VOL-5-ISSUE-1</guid>

		<description>VOL 5&#38;nbsp; ISSUE 1




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/df3da204a82b965db2a4f965eeb2e92a8f5365fd48e8cd8d94867c3a0d681860/ILLATEASE_2021_circle-copy.png" data-mid="231675678" border="0"  src="https://freight.cargo.site/w/400/i/df3da204a82b965db2a4f965eeb2e92a8f5365fd48e8cd8d94867c3a0d681860/ILLATEASE_2021_circle-copy.png" /&#62;
	Today, Here
Brandon Wint




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/cd5c70c54d4589e6e63348ea87b9bce83312184a488adfa2217e1229530ca3a3/FORGETTINGVIRGINIA_2024_circle-copy.png" data-mid="231671627" border="0"  src="https://freight.cargo.site/w/400/i/cd5c70c54d4589e6e63348ea87b9bce83312184a488adfa2217e1229530ca3a3/FORGETTINGVIRGINIA_2024_circle-copy.png" /&#62;
	“I was dealt some lovely dreams last night. I was rich, pliant...”Ismar Tirelli Neto





	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/b788d604efbe641faabe2eafa24aba49b16c199621de9bbcf8856a80209df6b0/HOMEIII_2024_circle-copy.png" data-mid="231671629" border="0"  src="https://freight.cargo.site/w/400/i/b788d604efbe641faabe2eafa24aba49b16c199621de9bbcf8856a80209df6b0/HOMEIII_2024_circle-copy.png" /&#62;
	Feast of the Holy InnocentsLisa Raatikainen




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/48000f5f3ecd891168c1164ed3e0544e19fc3bd612676d1a0d58db7e22773f3f/FIGHTINGLILIES_2024_circle-copy.png" data-mid="231675677" border="0"  src="https://freight.cargo.site/w/400/i/48000f5f3ecd891168c1164ed3e0544e19fc3bd612676d1a0d58db7e22773f3f/FIGHTINGLILIES_2024_circle-copy.png" /&#62;
		Letters to and fromEm Teaze




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	For Saraí
Lauren Peat




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/317044a227fc794a4e4d90073c784eca60dc788fccc24276575f125fcd0c8dec/IMG_4753-circle-copy.png" data-mid="231671633" border="0"  src="https://freight.cargo.site/w/400/i/317044a227fc794a4e4d90073c784eca60dc788fccc24276575f125fcd0c8dec/IMG_4753-circle-copy.png" /&#62;
	

















		Selected WorksJessica Frances Grégoire Lancaster





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	Cape May
James Croal Jackson




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I wrote
Olivia Elias transl. Jérémy Victor Robert





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		Minor American CitiesJeremiah Moriarty





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	When I dream of you I dream of dyingEm Teaze




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	a new kind of musicJake Goldwasser




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/9cb7ab0ff493373b2b6ac0afd65b26c11fade623e4d2da465302d50406efce81/Trotter---Sholer--Recall-09_circle-copy.png" data-mid="231671652" border="0"  src="https://freight.cargo.site/w/400/i/9cb7ab0ff493373b2b6ac0afd65b26c11fade623e4d2da465302d50406efce81/Trotter---Sholer--Recall-09_circle-copy.png" /&#62;
	
	Aubade After ExtinctionChristine Larusso





	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/9cceaebdfe470380d1c40e8692b313365ed68800157d5aa1aaa03143fc521811/Trotter---Sholer--Recall-15_circle-copy.png" data-mid="233010883" border="0"  src="https://freight.cargo.site/w/400/i/9cceaebdfe470380d1c40e8692b313365ed68800157d5aa1aaa03143fc521811/Trotter---Sholer--Recall-15_circle-copy.png" /&#62;
	
	Nothing to DoOlivia Elias transl. Kareem James Abu-Zeid




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/e4f233698522629868d364a86356ea6edff2ff642e84702e0e8ea5a0c6672cce/Trotter---Sholer--Recall-11_circle-copy.png" data-mid="231671655" border="0"  src="https://freight.cargo.site/w/400/i/e4f233698522629868d364a86356ea6edff2ff642e84702e0e8ea5a0c6672cce/Trotter---Sholer--Recall-11_circle-copy.png" /&#62;&#60;img width="400" height="400" width_o="400" height_o="400" data-src="//freight.cargo.site/t/original/i/baa3e66226a953b618acb2bf4886b5bf78a7f22853e29dbf91ab540efae58ba8/golden-circle.png" data-mid="65721008" border="0" style="width: 85.6486px; height: 85.6486px; display: none;"&#62;
	
	first snowLauren Peat




	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/d3fa33c593de8f8e8d579874968e0814b3c625bf7b21d56f6cb09655ecacaeb8/Untitled-1-copy.png" data-mid="231674803" border="0"  src="https://freight.cargo.site/w/400/i/d3fa33c593de8f8e8d579874968e0814b3c625bf7b21d56f6cb09655ecacaeb8/Untitled-1-copy.png" /&#62;
	Pan and Nymph, Schenley PlazaJason Barry





	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/91784e2e7e9ca05101876c6bd67704579c206762a80512ead22b997e050ef42c/Trotter---Sholer--Recall-12_circle-copy.png" data-mid="231671656" border="0"  src="https://freight.cargo.site/w/400/i/91784e2e7e9ca05101876c6bd67704579c206762a80512ead22b997e050ef42c/Trotter---Sholer--Recall-12_circle-copy.png" /&#62;
		Walser (A Possession)Ismar Tirelli Neto





	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/bdc841fcd3e7b23a1bf919eee2369c7573ad8d69fb0f9769012938d5c86a1aff/Trotter---Sholer--Recall-14_circle-copy.png" data-mid="231671657" border="0"  src="https://freight.cargo.site/w/400/i/bdc841fcd3e7b23a1bf919eee2369c7573ad8d69fb0f9769012938d5c86a1aff/Trotter---Sholer--Recall-14_circle-copy.png" /&#62;
	ConfessionColin Pope



	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/6e96df514febbeabc9f0ac17c3a682e1af2cfea821f7a7e411756f5e734d4eb3/Trotter---Sholer--Recall-10_circle-copy.png" data-mid="233010901" border="0"  src="https://freight.cargo.site/w/400/i/6e96df514febbeabc9f0ac17c3a682e1af2cfea821f7a7e411756f5e734d4eb3/Trotter---Sholer--Recall-10_circle-copy.png" /&#62;
	LA Hallucinations
Christine Larusso



	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/3bc3f98134c8817bbc1298b834178024a3bd61537624669285aad83eaa5e4f21/UNTITLEDCAMERASHOP_2024_circle-copy.png" data-mid="231671955" border="0"  src="https://freight.cargo.site/w/400/i/3bc3f98134c8817bbc1298b834178024a3bd61537624669285aad83eaa5e4f21/UNTITLEDCAMERASHOP_2024_circle-copy.png" /&#62;
	The Greatest Show
Nicole Callihan



	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/aa84eecf18631d5ede70f72b352fcaded5b38cadbfdaa1949208fc178d1e2c10/WHITEWASH_hires_2021_circle-copy.png" data-mid="231672021" border="0"  src="https://freight.cargo.site/w/400/i/aa84eecf18631d5ede70f72b352fcaded5b38cadbfdaa1949208fc178d1e2c10/WHITEWASH_hires_2021_circle-copy.png" /&#62;
		Of a StoryD Eric Parkison




	Interview
	Brandon Wint &#38;amp; Lauren Peat
	Interview
	Olivia Elias &#38;amp; Jérémy Victor Robert
	Interview
	Jessica Frances Grégoire LancasterIllustrations byJessica Frances Grégoire Lancaster</description>
		
	</item>
		
		
	<item>
		<title>O. - Jen Frantz</title>
				
		<link>https://volumepoetry.com/O-Jen-Frantz</link>

		<pubDate>Thu, 05 May 2022 11:11:38 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/O-Jen-Frantz</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/42a316e3cf6a6612cd20bde1f9aaa4bd1e9dc3034123ce7f96d959d8ca65f799/1.-Landscape-with-Raincloud-b.jpg" data-mid="141776599" border="0"  src="https://freight.cargo.site/w/400/i/42a316e3cf6a6612cd20bde1f9aaa4bd1e9dc3034123ce7f96d959d8ca65f799/1.-Landscape-with-Raincloud-b.jpg" /&#62;
	&#38;nbsp;
O.
Jen Frantz


	
	








































You wave a little life.
The egg is tall.
The bowl is tall.
By god, the world
has grown.
You can be mere
and cupped, early
to the horizon.
You can say
you were an animal,
leading the myth
quietly on.
So adept
at wasting time
we called it
god or love.
The egg was first.
You were second.
Life itself has stood.







    
	Jen Frantz is a college dropout from Ohio. Her poems have been published or are forthcoming in Hobart, Denver Quarterly, Fence, and Washington Square Review. She is currently an MFA candidate at the Iowa Writers' Workshop, where she is poetry editor of The Iowa Review.


</description>
		
	</item>
		
		
	<item>
		<title>Violence and Splendor - Hannah Bonner</title>
				
		<link>https://volumepoetry.com/Violence-and-Splendor-Hannah-Bonner</link>

		<pubDate>Sun, 01 May 2022 10:53:58 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Violence-and-Splendor-Hannah-Bonner</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/4feaf4f48518f0aa06605e500e030713c838c3a54c85592f834dd398452e9534/2.-Cradled-c.jpg" data-mid="141776789" border="0"  src="https://freight.cargo.site/w/400/i/4feaf4f48518f0aa06605e500e030713c838c3a54c85592f834dd398452e9534/2.-Cradled-c.jpg" /&#62;
	&#38;nbsp;
Violence and Splendor
Hannah Bonner


	
	








































I asked nothing of you – remember that.
All my wants, when I first voice them, fossilize,
porous as pumice. See how each artifact
gleams under your attention beneath the boxed glass.
Bergson called the body an office, Dickinson, an ottoman.
I claim museum, as it has claimed me.
You call again tonight and promise exactly
nothing. Salt, steel, diorama – setting announces
the epoch’s anatomy. There is no giving, or getting back,
among the rocks and ash.







    
	Hannah Bonner's poems have appeared, or are forthcoming, in Bear Review, Pigeon Pages, Rattle, The Carolina Quarterly, The Pinch Journal, The Vassar Review, Tinderbox Poetry Journal, TriQuarterly, and Two Peach. She has an MA in Film Studies and is pursuing a creative nonfiction MFA at The University of Iowa. She currently serves as the poetry editor for Brink.


</description>
		
	</item>
		
		
	<item>
		<title>Home School - Jordan Stewart</title>
				
		<link>https://volumepoetry.com/Home-School-Jordan-Stewart</link>

		<pubDate>Sun, 01 May 2022 10:43:26 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Home-School-Jordan-Stewart</guid>

		<description>
	&#60;img width="978" height="978" width_o="978" height_o="978" data-src="https://freight.cargo.site/t/original/i/7424fb34ef4dd6d5af72f22572d068a75cc52dc14d7da460f1162f3646cfd940/3.-Roughground-c.jpg" data-mid="141776881" border="0"  src="https://freight.cargo.site/w/978/i/7424fb34ef4dd6d5af72f22572d068a75cc52dc14d7da460f1162f3646cfd940/3.-Roughground-c.jpg" /&#62;
	&#38;nbsp;
Home School
Jordan Stewart


	
	








































She places a small red apple 
on the wooden dresser to her immediate
left.



She says that, for the rest of the day,
that apple will be called a toothpick.



Later that day in the garden, 
we are burying the second mailman of the
week.



She tells me that mailmen are sent to us
occasionally
to help us fertilize the soil and grow
healthier flowers.



That we must use every part of the
mailman
and she hands me another pair of blue
cargo shorts.



Inside, after supper we're sitting at
the table
eating freshly baked toothpick pie.



She tells me I will start school
tomorrow
and that the classroom will be in the
den.



My teacher will look and sound exactly
like her
but will not actually be her.



I lay awake that night, staring at the
ceiling
Thinking about what school will be like



wondering what things I will learn,
and if the teacher will like my cargo
shorts.







    
	Jordan Stewart was born on the east coast of Canada. He lives there still with his wife and two daughters. He has had works published online and in print magazines all across North America. He has published two poetry collections and has had a collection of short stories published by Canada-based Loose Teeth Press. He is currently finishing his newest collection of poetry, which should be out later this year.


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	<item>
		<title>Sauna, 2036 - Dominique Bernier-Cormier</title>
				
		<link>https://volumepoetry.com/Sauna-2036-Dominique-Bernier-Cormier</link>

		<pubDate>Thu, 05 May 2022 11:44:52 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Sauna-2036-Dominique-Bernier-Cormier</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/6353fdff038230f6a44bf85e86b25677d39a1069aa4360ecd00568d1798efaae/8.-Cat-in-Corner-b.jpg" data-mid="141779009" border="0"  src="https://freight.cargo.site/w/400/i/6353fdff038230f6a44bf85e86b25677d39a1069aa4360ecd00568d1798efaae/8.-Cat-in-Corner-b.jpg" /&#62;
	&#38;nbsp;
Sauna, 2036
Dominique Bernier-Cormier


	
	








































In the house we live in
in this imaginary future, I’ve built a small sauna
in the living room—between the fern
and the therapeutic harp you play to keep
the memories of animals at bay. I wanted
to build a tanning bed with purple lights
that made everyone look like Prince
lying in his velvet coffin, but instead, I snapped
the UV tubes and wrote HELP in neon
across the snowy lawn. Now, we hold each other
in the cedar box like twin fawns
in a womb and take turns pouring water
over the glowing stones until we can’t take
the heat anymore. We try to remember the Finnish
word for steam and where Finland used to
be. We argue over what’s a machine and what’s
not a machine. Is a sauna a machine? Is snow
a machine? Was Prince a machine? Are we just water
pouring machines, the two of us?
In the laundry room, the washer
blinks its row of gorgeous green eyes
at us and announces that a new cycle has begun,
that the door is now locked and the flooding
will soon begin. Dear machine, dear snow,
tell us something we don’t already know.







    
	Dominique Bernier-Cormier's first book of poetry, Correspondent, was published by Goose Lane Editions in 2018 and was nominated for the League of Canadian Poets' Raymond Souster Award. His second book, a bilingual collection of poems, translations and essays, will come out in 2023. 


</description>
		
	</item>
		
		
	<item>
		<title>Machines - Hannah Lowe</title>
				
		<link>https://volumepoetry.com/Machines-Hannah-Lowe</link>

		<pubDate>Thu, 05 May 2022 10:53:59 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Machines-Hannah-Lowe</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/e06d4d2acb6fa5dc5cdc9213339b71337bea049e9b4b5b4e6b361704ab883200/11.-Blue-Arrangement-a.jpg" data-mid="141779028" border="0"  src="https://freight.cargo.site/w/400/i/e06d4d2acb6fa5dc5cdc9213339b71337bea049e9b4b5b4e6b361704ab883200/11.-Blue-Arrangement-a.jpg" /&#62;
	&#38;nbsp;
Machines
Hannah Lowe


	
	








































Easter Monday all I do is washing,
stuffing the mouth of the machine, then tugging
out, then hanging. How many beautiful dresses
are needed for one life? Or lacy undies,
whiter than white? All day I’m crying, my eyes
gone sudsy. Pity-me tears are kind of lovely,
kind of awful. I cry in cycles, steady
rinse then spin. As soon as I’m dry, I cry

again. Liz once said she wished her belly
had a glass door like a washing machine
so she could check her little sleeping baby,
clean her mind of all the fear and fretting –
but we’ve only got our eyes for screens,
peering out, sometimes peering in.







    
	Hannah Lowe is a poet, memoirist, and academic. Her latest book, The Kids, a Poetry Book Society ‘Choice’ for Autumn, won the Costa Poetry Award and the Costa Book of the Year, 2021. Her first poetry collection Chick (Bloodaxe, 2013) won the Michael Murphy Memorial Award for Best First Collection. In September 2014, she was named as one of 20 Next Generation poets. Her family memoir Long Time, No See (Periscope, 2015) featured as Radio 4’s Book of the Week. Two new chapbooks are forthcoming in May with Hercules Editions. She teaches Creative Writing at Brunel University.&#38;nbsp;@hannahlowepoet


</description>
		
	</item>
		
		
	<item>
		<title>Back, Reflected - Hannah Lowe</title>
				
		<link>https://volumepoetry.com/Back-Reflected-Hannah-Lowe</link>

		<pubDate>Thu, 05 May 2022 10:59:27 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Back-Reflected-Hannah-Lowe</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/cf890b4497ca9652f14c41e61791eea2a5abfe6de45656262ce51603acbdfabf/1.-Landscape-with-Raincloud-c.jpg" data-mid="141837666" border="0"  src="https://freight.cargo.site/w/400/i/cf890b4497ca9652f14c41e61791eea2a5abfe6de45656262ce51603acbdfabf/1.-Landscape-with-Raincloud-c.jpg" /&#62;
	&#38;nbsp;
Back, Reflected
Hannah Lowe


	
	








































Rucksack I’ve carried all my life. Naked,
it curves like a harp, or the fine pale handle
of my Nanna’s teacups – white bone china, saved
for best. Which man said my back was graceful?
I think a decade has gone since last I looked,
over the shoulder in the bathroom mirror.
Back I often forget I’ve got. The B-side
never got a look-in on my record player.

When Emmy massages my back, I hear
each knot call out like a musical note. Laptop!
this one sings. Bad poems! sings another.
What this or that man did. Deadlifts. Sorrow.
But this back, reflected back, won’t speak –
sleek and silent as a locked piano.







    
	Hannah Lowe is a poet, memoirist and academic. Her latest book, The Kids, a Poetry Book Society ‘Choice’ for Autumn, won the Costa Poetry Award and the Costa Book of the Year, 2021. Her first poetry collection Chick (Bloodaxe, 2013) won the Michael Murphy Memorial Award for Best First Collection. In September 2014, she was named as one of 20 Next Generation poets. Her family memoir Long Time, No See (Periscope, 2015) featured as Radio 4’s Book of the Week. Two new chapbooks are forthcoming in May with Hercules Editions. She teaches Creative Writing at Brunel University.&#38;nbsp;@hannahlowepoet


</description>
		
	</item>
		
		
	<item>
		<title>Biography - Yuri Andrukhovych</title>
				
		<link>https://volumepoetry.com/Biography-Yuri-Andrukhovych</link>

		<pubDate>Thu, 05 May 2022 11:16:38 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Biography-Yuri-Andrukhovych</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/93cc3e8bffe28194d7c272de03624114751e6f454435fb3cb6ba1a7aa45c353b/10.-Celebration-Table-a.jpg" data-mid="141837713" border="0"  src="https://freight.cargo.site/w/400/i/93cc3e8bffe28194d7c272de03624114751e6f454435fb3cb6ba1a7aa45c353b/10.-Celebration-Table-a.jpg" /&#62;
	&#38;nbsp;
Biography
trans. John Hennessy and Ostap Kin&#38;nbsp;


	
	



















Zynoviy Blum, king of tavern and market,
an idol worshipped by rosy prostitutes,
flew between merchants like a vampire 
sucking the trib from them like blood.

He was greeted with a joyful “Vey mir!” &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
With his smile, sweeter than molasses,
he took them for their gold and their girls, &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
until of course he crossed a line. &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

The Soviets broke him out of prison—
somehow he began to jabber in Russian, 
became a made man in the secret police.

Up to his elbows in guts like a coroner,
he learned to curse and drink vodka
in the NKVD and later the MGB.

    
	John Hennessy
is the author of two poetry collections, Bridge and Tunnel and Coney
Island Pilgrims. He is the co-translator, with Ostap Kin, of A New
Orthography, selected poems by Serhiy Zhadan, finalist for the PEN Award
for Poetry in Translation, 2021, and co-winner of the Derek Walcott Prize,
2021. The poems published here are included in the forthcoming anthology Babyn
Yar: Ukrainian Poets Respond (Harvard Ukrainian Research Institute), edited
and co-translated by Ostap Kin.



Ostap Kin is an
editor (and translator with John Hennessy) of Babyn Yar: Ukrainian
Poets Respond (forthcoming from Harvard Ukrainian Research
Institute) and New York Elegies: Ukrainian Poets Respond,
and is the co-translator, with John Hennessy, of A New Orthography,
selected poems by Serhiy Zhadan, co-winner of the Derek Walcott Prize for
Poetry and finalist for the PEN Award for Poetry in Translation. With Vitaly
Chernetsky, he translated Yuri Andrukhovych's Songs for a Dead Rooster.



&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/5d9a5d7c55de2af021b503ce06caf4d94ce7f45412d446d479f5ef1361c5ad96/10.-Celebration-Table-a.jpg" data-mid="141837725" border="0"  src="https://freight.cargo.site/w/400/i/5d9a5d7c55de2af021b503ce06caf4d94ce7f45412d446d479f5ef1361c5ad96/10.-Celebration-Table-a.jpg" /&#62;
	&#38;nbsp;	



















ЖИТТЄПИС




















Yuri
Andrukhovych









	
	



















Зиновій Блюм, король
шинків і яток, рожевих лярв улюблелий кумир, літав по крамарях, немов упир, і, ніби кров, смоктав із них податок.



Його стрічали радісним
«вей мір!». Під усмішкою, що солодша паток, він позбавляв їх золота й дівчаток, але, на жаль, порушив міру мір. 



З тюрми його звільнили
вже совіти — сяк-так почав по-руському триндіти і висунув на службу сам себе.



По лікті у кишках,
немов анатом, навчився водку жрать, ругаться матом в енкаведе, а згодом емґебе. 







    
	



















Yuri Andrukhovych is one of the most prominent and influential Ukrainian poets and writers. He has published more than a dozen poetry collections, fiction books, and collections of essays, and his work has been translated into many languages. His most recent collection of poems in English translation is Songs for a Dead Rooster (2018); his most recent collection of essays is My Final Territory (2018). Andrukhovych lives and works in Ivano-Frankivsk.
</description>
		
	</item>
		
		
	<item>
		<title>Passion - Yuri Andrukhovych</title>
				
		<link>https://volumepoetry.com/Passion-Yuri-Andrukhovych</link>

		<pubDate>Sun, 01 May 2022 11:13:49 +0000</pubDate>

		<dc:creator>Volume Poetry</dc:creator>

		<guid isPermaLink="true">https://volumepoetry.com/Passion-Yuri-Andrukhovych</guid>

		<description>
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/c7381163471a7dba0458526d14ba2d9dfd5678aab6d28dbc367c1124125dad36/9.-Things-c.jpg" data-mid="141837740" border="0"  src="https://freight.cargo.site/w/400/i/c7381163471a7dba0458526d14ba2d9dfd5678aab6d28dbc367c1124125dad36/9.-Things-c.jpg" /&#62;
	&#38;nbsp;
Passion
trans. John Hennessy and Ostap Kin&#38;nbsp;


	
	



















Mister butcher and mister musician sat down
to play, the cards filthy, covered in grease.
Obsession with winning obscured all else;
outside the window, an uproar, a view.

Everything would’ve been fine, except for the spade.
It never showed up––the musician flipped out,
he told himself: “Punch this guy right in the face.
Look at that ugly mug.”

And he smashed the butcher’s head with an iron.
That guy won’t be selling any more meat,
he’s lying on his back without a sound.

The musician goes on forever, like he’s on 
a pilgrimage, accompanied by courteous cops,
somewhere far away, probably to prison.

    
	John Hennessy
is the author of two poetry collections, Bridge and Tunnel and Coney
Island Pilgrims. He is the co-translator, with Ostap Kin, of A New
Orthography, selected poems by Serhiy Zhadan, finalist for the PEN Award
for Poetry in Translation, 2021, and co-winner of the Derek Walcott Prize,
2021. The poems published here are included in the forthcoming anthology Babyn
Yar: Ukrainian Poets Respond (Harvard Ukrainian Research Institute), edited
and co-translated by Ostap Kin.



Ostap Kin is an
editor (and translator with John Hennessy) of Babyn Yar: Ukrainian
Poets Respond (forthcoming from Harvard Ukrainian Research
Institute) and New York Elegies: Ukrainian Poets Respond,
and is the co-translator, with John Hennessy, of A New Orthography,
selected poems by Serhiy Zhadan, co-winner of the Derek Walcott Prize for
Poetry and finalist for the PEN Award for Poetry in Translation. With Vitaly
Chernetsky, he translated Yuri Andrukhovych's Songs for a Dead Rooster.



&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/3058893c80ce2c924d33bbe2aa46d41a04134a9f81048b5dd89f987cf8061a58/9.-Things-c.jpg" data-mid="141837792" border="0"  src="https://freight.cargo.site/w/400/i/3058893c80ce2c924d33bbe2aa46d41a04134a9f81048b5dd89f987cf8061a58/9.-Things-c.jpg" /&#62;
	&#38;nbsp;	



















АЗАРТ




















Yuri
Andrukhovych









	
	



















У карти, так
обшмульгані, що аж, засіли пан різник і пан музика. Була спокуса виграшу велика, а за вікном був гомін і пейзаж.



І все зійшло б гаразд,
якби не піка. Вона не йшла — музика впав у раж, сказав собі: «Ти в пику його вмаж! Дивись, яка паскедна в нього пика!».



І різнику в чоло
зацідив прасом. Той більш не буде торгувати м'ясом, він горілиць лежить і ні мур-мур.



У супроводі ґречних
поліцаїв музика йде навік, мов у Почаїв, кудись далеко, певно, у тюрму. 







    
	



















Yuri Andrukhovych is one of the most prominent and influential Ukrainian poets and writers. He has published more than a dozen poetry collections, fiction books, and collections of essays, and his work has been translated into many languages. His most recent collection of poems in English translation is Songs for a Dead Rooster (2018); his most recent collection of essays is My Final Territory (2018). Andrukhovych lives and works in Ivano-Frankivsk.
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