Coney Island Creek
(How did the water smell?)
Estuary with fish tang, a funk. Pluff mud,
decayed spartina grass and sewage.
We smell the creek before we see it,
greeted by an egret flying low to its perch.
Nearby ship ribs rise, a ghostly flotilla.
The underwater wrecks tucked inside
this soft barrier of salt marsh.
People in the water, too—
fishermen, swimmers, a baptism.
Even volatile organic compounds
can’t keep them away. The seekers we play
while the black locust trees chatter
beside this once tidal strait,
precarious, resilient, unfurling.
(How did the water smell?)
Estuary with fish tang, a funk. Pluff mud,
decayed spartina grass and sewage.
We smell the creek before we see it,
greeted by an egret flying low to its perch.
Nearby ship ribs rise, a ghostly flotilla.
The underwater wrecks tucked inside
this soft barrier of salt marsh.
People in the water, too—
fishermen, swimmers, a baptism.
Even volatile organic compounds
can’t keep them away. The seekers we play
while the black locust trees chatter
beside this once tidal strait,
precarious, resilient, unfurling.
Susan (Sue) Landers (she/her) is the author of Franklinstein (Roof Books, 2016), a multi-genre collection about a Philadelphia neighborhood wrestling with the legacies of colonialism, racism, and capitalism. She is also the author of two full-length books of poetry—248 mgs., a panic picnic (O Books, 2003) and Covers (O Books, 2007). Her chapbooks include 15: A Poetic Engagement with the Chicago Manual of Style (Least Weasel, 2011) and What I Was Tweeting While You Were On Facebook (Perfect Lovers Press, 2013). Her poems have appeared in Poem-A-Day, The Brooklyn Rail, The Offing, and elsewhere. She was the founding editor of the experimental poetry journal POM2. She was a 2018 artist in residence at PLAYA Summer Lake and a 2015 resident fellow at Saltonstall Colony for the Arts. She has an MFA from George Mason University and lives in Brooklyn.
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