After dinner, we walked the streets of a tourist town made regionally famous
for the cheapest hotels near the city whose ruins marked the place
of an ancient war. We’d been arguing about the future. Each conversation
was a reenactment of something old we’d known but some part of one
of us refused. The natural light dimmed, torquing the evening’s tone
until electric lanterns forced a softness on the scene. The night was gauzy.
You could see things that weren’t there, so each step seemed a step
into an imagined past where we played minor characters in a well-known plot.
The next day, at a broken stone gate, a guide told the story
of a sensitive soldier who died in another man’s armor.
The prince who killed him stripped him and took the armor for himself,
an act, I later on a placard read, that put shame and intimacy in concert.
for the cheapest hotels near the city whose ruins marked the place
of an ancient war. We’d been arguing about the future. Each conversation
was a reenactment of something old we’d known but some part of one
of us refused. The natural light dimmed, torquing the evening’s tone
until electric lanterns forced a softness on the scene. The night was gauzy.
You could see things that weren’t there, so each step seemed a step
into an imagined past where we played minor characters in a well-known plot.
The next day, at a broken stone gate, a guide told the story
of a sensitive soldier who died in another man’s armor.
The prince who killed him stripped him and took the armor for himself,
an act, I later on a placard read, that put shame and intimacy in concert.
David Ehmcke lives in Brooklyn. His recent work has appeared or is forthcoming in The Drift, The Missouri Review, swamp pink, Image, Sixth Finch, EPOCH, The Adroit Journal, MAYDAY, bodega, and like a field. David’s chapbook, Broken Lyre, is the editors’ selection in Quarterly West’s 2025 Chapbook Contest and will be published in the coming year.
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