She stood under a drizzle of copper leaves
mouth opened in a hymn of praise
Voice tacet
Only the chirping of sparrows
heard on the terrace
above the sleeping town
Be opaque
her sisters had said
because this crust
is what will get you through
Standing above the chasm
opened in the eastern rock she thought
What if there was no border
between flesh and light
What if I had
no skin
Of what
am I the barometer?
mouth opened in a hymn of praise
Voice tacet
Only the chirping of sparrows
heard on the terrace
above the sleeping town
Be opaque
her sisters had said
because this crust
is what will get you through
Standing above the chasm
opened in the eastern rock she thought
What if there was no border
between flesh and light
What if I had
no skin
Of what
am I the barometer?
Ranjit Hoskote is a poet, translator, cultural theorist and
curator based in Bombay. His seven collections of poetry include Vanishing Acts: New & Selected Poems
1985-2005 (Penguin, 2006), Central
Time (Penguin/ Viking, 2014), Jonahwhale(Penguin/ Hamish Hamilton, 2018) and, most recently, The Atlas of Lost Beliefs (Arc, 2020). Hoskote’s translation of a celebrated
14th-century Kashmiri woman mystic’s poetry has appeared as I, Lalla: The Poems of Lal Ded (Penguin
Classics, 2011). He is the editor of Dom
Moraes: Selected Poems (Penguin Modern Classics, 2012). India’s National
Academy of Letters has honoured him with the Sahitya Akademi Golden Jubilee
Award and the Sahitya Akademi Translation Award. His poems have been translated into German, Hindi,
Bangla, Marathi, Irish Gaelic, Swedish, Spanish, and Arabic. Hoskote
co-curated, with Okwui Enwezor and Hyunjin Kim, the 7th Gwangju
Biennale (South Korea, 2008). He was the curator of India’s first-ever national
pavilion at the Venice Biennale (2011).
Read Ranjit Hoskote invterviewed by Rebecca Levi.
Read Ranjit Hoskote invterviewed by Rebecca Levi.
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