Though lately I have not been choosing
what to look at, dark
accretes. The sky has begun to cradle its negation. I drove
all day, passed a house with the roof
burned out and space bent. Black creek. Semi
after semi. Wanting to get here, deciding, if what intends to go on is
in that direction, up—around, I would move to understand
its texture, and be told of the trajectory, the further
lit, long, as many
times as I would need
to link thought to color on the eye. The telescope testifies.
•
Ponderosas stand straightly one year and another in the closet
of forest. The air is black acorns. Lathing wings this morning
on the trail succeed
to shift breath for a minute.
I like the reminder that lifespans are not even a microsecond.
•
Here again night. I’ve been gorging on what appears
side by side—the past thrust in its weave—and how far
and at what years away I belong. A consequence of this is
that I will return
home and practice not only what arrives but the truth
I’ve seen move through itself and fleeing.
Nothing is fixed. I stare
through the small circle of telescope glass, leave the queue and return to look again.
When last month, I saw nine swallow-tailed kites in a cauldron
with my limited eye, I knew enough
ways time takes us forward.
I was in Texas in a concert hall of marble.
Another person was wearing red; we were listening
to whispers. Even then I wanted
sense bared from the lapsed blur.
what to look at, dark
accretes. The sky has begun to cradle its negation. I drove
all day, passed a house with the roof
burned out and space bent. Black creek. Semi
after semi. Wanting to get here, deciding, if what intends to go on is
in that direction, up—around, I would move to understand
its texture, and be told of the trajectory, the further
lit, long, as many
times as I would need
to link thought to color on the eye. The telescope testifies.
•
Ponderosas stand straightly one year and another in the closet
of forest. The air is black acorns. Lathing wings this morning
on the trail succeed
to shift breath for a minute.
I like the reminder that lifespans are not even a microsecond.
•
Here again night. I’ve been gorging on what appears
side by side—the past thrust in its weave—and how far
and at what years away I belong. A consequence of this is
that I will return
home and practice not only what arrives but the truth
I’ve seen move through itself and fleeing.
Nothing is fixed. I stare
through the small circle of telescope glass, leave the queue and return to look again.
When last month, I saw nine swallow-tailed kites in a cauldron
with my limited eye, I knew enough
ways time takes us forward.
I was in Texas in a concert hall of marble.
Another person was wearing red; we were listening
to whispers. Even then I wanted
sense bared from the lapsed blur.
Lauren Camp serves as New Mexico Poet Laureate. She is the author of eight books of poetry, including In Old Sky (Grand Canyon Conservancy, 2024). Her work has garnered fellowships from the Academy of American Poets and Black Earth Institute. In 2022, she was chosen as the fourth Astronomer-in-Residence at Grand Canyon National Park. Other honors include the Dorset Prize and finalist commendations for the Arab American Book Award, Housatonic Book Award, and Adrienne Rich Award. www.laurencamp.com
©2024 Volume Poetry
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