Borrowing your chunky knit fisherman’s sweater
(months, or even years ago, my heavens)
and returning it in bags of spools and laughing.
Two salmon yellow vases, then mailing back
unfired slabs, directions to a kiln. Frowning,
you couldn’t name what killed you; everything
given to me returned. The dinners in Hell’s Kitchen,
the chef coming out; sieved cocktails, garnished
oxtail, soused brains spread as sauce.
When spoons knock in dessert bowls it’s 1 a.m.,
the valet returns us keys to a Mercedes Benz,
or trying to, calls from under the awning
against the cross-town wind our names, after we
fell asleep in vacant subways. We never owned a car.
(months, or even years ago, my heavens)
and returning it in bags of spools and laughing.
Two salmon yellow vases, then mailing back
unfired slabs, directions to a kiln. Frowning,
you couldn’t name what killed you; everything
given to me returned. The dinners in Hell’s Kitchen,
the chef coming out; sieved cocktails, garnished
oxtail, soused brains spread as sauce.
When spoons knock in dessert bowls it’s 1 a.m.,
the valet returns us keys to a Mercedes Benz,
or trying to, calls from under the awning
against the cross-town wind our names, after we
fell asleep in vacant subways. We never owned a car.
Kami Enzie, a Vienna-born, New Orleans–raised queer
Nigerian-Filipino American writer, is a recent Iowa MFA grad and winner of the
Tennessee Williams & New Orleans Literary Festival poetry contest. Work
appears in Chicago Review, Common Place, Oversound, The Poetry
Review, and elsewhere.
©2024 Volume Poetry
Join our mailing list:
Join our mailing list:
Follow us on instagram.
Submit your work to Volume:
submissions@volumepoetry.com
Submit your work to Volume:
submissions@volumepoetry.com